Summer 2018

My uterus is crowded with crab.

They clack and pinch.  I bleed.

They scuttle down unused corridors and escape.

One is a small hard presence behind my clavicle.

This summer the doctors will come again

and again with their torches.

And I who have loved so much the more

will study the lesson of less.

The shaved head.

The open hand.

The loud silence of twilight.

Accretion/Debridement

When House was new it asked for filling.

We complied with staples and treats and whimsy and hope, in their turns.

Repujado’s required tools are good for nothing else.  Parts of looms lay

akimbo in the nook upstairs.  Clothes of outdated sizes rotate to the back

of ample closets.  Business cards not used, now supplanted by better.  Instruments

upgraded.  Posters outgrown.  A chest with toys untouched for years is colorful

behind the vacuum.  Hats.

When Home comes it will demand spaciousness.

Surfaces easily wiped.  Doors wide enough for chairs and beds and the wagons

with the tubes and beeps.  One dresser with three drawers.  The clothes coming back

from the laundry may not be ours, but we will wear them.

Breathe in.  Breath out.  We open our hands, palms full of oxygen and memories.

 

A Prayer to Black Bile

A humor, though not as humorous as one might hope,

you sit in the shade of my liver,

melancholy incubating in your bitter sack.

You taketh away my French fries and my mayonnaise.

When I sin against you

you waketh me in the witching hour and

maketh me to sit up through the night.

Oh, frost –

Oh, woolly caterpillar –

Oh, harbinger of my imminent winter –

have mercy on me

as you strip from me the luxuries of the flesh.

 

 

 

 

Bending over Backward

Tonight’s yoga lesson:  Backbends!  Energizing!  Heart opening!

The teacher’s confession:  She hates backbends.  And she’s not good at them.  In practice.  She can give you plenty of theory and information about your anatomy, but that doesn’t get her hands back to her heels in camel or her hips off the ground in upward bow.  She’ll skip bow, then.  Maybe offer it up as an option for those “who regularly use it in their practice.”  And she’ll teach half camel, which she can actually do, though she rarely enjoys it.  And so the class plan comes together, a gumbo of knowledge and reality, seasoned with a pinch of shame.

And so the teacher learns:  Not the poses, though god knows she tries.  She learns it doesn’t matter.  She stands at the door of the classroom, all limitation and insecurity, and she loves her students.  Casually, while shaking their hands, she slips them the gift of happy imperfection.

Upon this Rock

This rock against which I throw myself,

causing soft bruises to seep through my thinning flesh,

the one I can not manage to lever away to see my path ahead,

the one blocking the sunlight of my solitary future

is

the boulder against which I rest, exhausted from the world,

safe from glare and invasion,

the one I rub cheek and hand over,

intimate and undulating as flesh.

 

 

Letter Home

Mama, I’m awful tired

and I feel like coming home

to eavesdrop on the ocean

and spit into the foam.

I talk to people on buses

spend all my tips on books

tell lies to good looking customers

and cheer for all the crooks.

I listen to jazz all evening

forgetting to sleep or eat;

there’s a brown dog from the junkyard

who attacks me on the street.

My friends aren’t.

My lover doesn’t.

My work is.

My party wasn’t.

Out here in the heartland

even the cows are bored

and I’d commit hara kiri

if I could afford the sword.