I. Ready
The former beauty turns a few graying heads
as she enters the bar.
Her skirt is tight and she’s still not wearing underwear
because her mother told
“always be ready for him.” And she is,
though her husband hasn’t touched her in months.
She waits,
folding her hair over and over
with her hand.
II. A Coup
The former beauty is tan again this summer,
blonder, and able to get into her thin jeans, too
At the veterinarian’s office
she sits with her golden retriever,
absently stroking his head and ears.
The young vet emerges to scan the waiting room.
His gaze pauses in her direction,
a dancer suspended at the apex of his leap, and moves on.
III. On the Street
A beautiful young man sits on the curb
outside the grocery.
The former beauty thinks for a moment
he might be a boy she dated a few times in college.
Oh, but that was more than twenty years ago;
this could be his son.
Unnoticed, she watches him from her car.
He is waiting for the girl
with the blue tattoo
carelessly pricked onto the flawless skin
of her left shoulder.
IV. Shopping
The former beauty keeps her eyes down as she pushes the cart
so no one knows she is moving her legs around a longing
she no longer believes she deserves.
No one knows she’s watching
snapshots of his wrist, his shirt sleeve rolled back,
exposing a scrape from something in his life,
about which she knows nothing,
and the other thing, so palpable, impossible.
She lowers herself onto him,
but even in her mind her body is ridiculous.
In produce a boy stacks bananas quickly.
The bruises will develop once she gets them home,
once they ripen. This boy. If she asked him
would he run? Stare and breathe through his mouth
in disbelief? Fear? Would he smile?
She has no idea what is possible any more.
She picks up avocado, palming the wrinkled skin,
and eggplant, rubbing its smooth purple.
She holds an unwashed grape in her mouth.
Maybe she could ask someone. Casually.
Ask someone about whom she cares nothing,
what is possible? And read the answer
in his careful pauses.
V. At the Reception
The former beauty is seated at the extra women’s table.
Silently
she slides her thumb under the heavy necklace of rose quartz,
lifts the beads to her lips,
and marvels at the warmth left from her breasts.
VI. At the Mirror
The former beauty pulls at the sides of her face
and realizes she’ll never wear flowers in her hair again.
No longer possible, the fair Ophelia,
mad with love and beautiful in madness.
Now she is Ophelia dredged,
puffy and pale,
no longer in love. Or mad.
VII. In the Yard
In her fat nephew’s cast-off shorts and tee shirt
the former beauty weeds the front flower bed.
The cool breeze brushes the sun’s heat
from the back of her neck.
The sedum is the last thing in bloom.
She cuts her hand on a dry daylily leaf,
sucks the blood.
A car of teenage boys drives by.
They honk, yell something.
She waves with her injured hand,
assumes she must know them from somewhere,
and returns to the day’s work.
